The RADA Studios

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Eoghan's picture

My first time at the Drill Hall - great little venue (Drill Hall 2). The bar was very theatrey too - seemed like a nice place for a drink. I was there last night for "Jack the Knife" - review follows.

 

Gatecrashing a party always feels a bit weird.

 

And so it felt last night when I went to the Drill Hall - a venue new to me. They have two spaces - it was in the cosier studio space downstairs that I went to see Jack Klaff perform Jack the Knife. Klaff himself was there, shaking hands and greeting the audience: it was the first night, and the entire audience comprised friends and acquaintances. In answer to "Hello, who are you?" I could only lamely retort "just paying audience..."

 

But the handshakes were deliberate, as Klaff later explained: they are a manipulative technique, sucking you into the performer's inner circle, making you part of his life. For this is a piece about performing itself: the tricks, the subtleties. It's also a personal retrospective of Klaff's career. The combination of not being familiar with his work, there being plenty of theatre industry in-jokes, and surrounded by his mates, all added up to the feeling of being at someone else's party.

 

None of which detracted from the quality of the show.

 

It is certainly a show designed for people who are regular theatre-goers - if you're a twice-a-year Blood Brothers-and-panto person, then I might gently point you elsewhere. But Klaff is a natural storyteller in the oldschool sense. The kind of bloke you can imagine holding centre ground in the pub. The show begins organically - you barely realise it's started - and we dart between childhood tales, to outrageous impressions of South African academic colleagues, explorations of philosophical concepts like choice, tongue-in-cheek digs at the theatre industry, Elgar, Paul Schofield, and anecdotes of his foul-mouthed mother. Fiftysomething Klaff had an old school friend in the audience, who tutted and hilariously put him right every time he used artistic license in embellishing old stories (this only added to the experience!)

 

When I was about eighteen I watched Woody Allen's Sweet & Lowdown and was intensely irritated to discover it was about a fictional character...but, over time, I appreciated the quality of the film. I also read a biography of Kerouac without having read any of his works! Despite being a personal retrospective, Jack the Knife will appeal even if you haven't come across Klaff before. Highly recommended.

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